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Fascinating new Lannoo book highlights the world’s most mind-blowing bending architecture

For architecture that is forward of the curve, look no additional.

Curved: Bending Architecture, revealed by Lannoo, is written by artwork and design historian Agata Mazur, who delves into the engineering feats and aesthetic triumphs of designing arching and twisting buildings.

Over 60 astonishing buildings characteristic in the book, together with a cloudscape that opens as much as the skies in China’s Hainan Province, and a intelligent brick home in Belgium that wraps round the woodland space it inhabits.

The introduction to the book reads: ‘Whether expressed in objects of everyday use or buildings, rounded design seems more communicative, natural and appealing, evoking positive emotions.’

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Mazur provides: ‘A challenge in the construction process and quite expensive to build, curving architecture has been and will always be a statement in the pursuit of testing limits and envisioning some of the most striking and original structures ever.’

Scroll down to find a few of the outstanding buildings which might be bending the guidelines of architecture…

BUMPERS OAST, KENT, UK: ‘Bumpers Oast is a up to date interpretation of a typical oast home.’ So writes Mazur of this intriguing residence, which was inbuilt 2020 and designed by London agency Acme. An oast home, Mazur explains, was historically used to dry hops for the beer-brewing course of. Acme drew from the form of those buildings when it got here to the design, she says, including: ‘The key resolution was to interchange the conventional brick turrets and single-clad timber roof cones with an all-timber construction.’ The constructing has a clay-tile facade and consists of 5 towers. Inside, ‘many items of furnishings are additionally curved and constructed into the rooms’, the writer reveals

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COURBES RESIDENTIAL BUILDING, PARIS-COLOMBES, FRANCE: The Courbes Residential Building, designed by Christophe Rousselle Architecte, was built in 2019. It encompasses 134 apartments with 'generous outdoor terraces with spaces of 22 metres squared (236 sq ft) on average for each flat'. 'The wavy floor spans, perfectly visible thanks to glass balustrades encircling each level, create a dynamic illusion of movement,' Mazur says, adding: 'The sinusoid lines also playfully reflect light throughout the day, at the same time, the building also plays with transparency.' The author says that the building provides 'high-quality living conditions, ensuring intimacy and comfort for its residents while not compromising on the aesthetic aspect of architecture'

COURBES RESIDENTIAL BUILDING, PARIS-COLOMBES, FRANCE: The Courbes Residential Building, designed by Christophe Rousselle Architecte, was inbuilt 2019. It encompasses 134 residences with ‘beneficiant outside terraces with areas of twenty-two metres squared (236 sq ft) on common for every flat’. ‘The wavy flooring spans, completely seen because of glass balustrades encircling every degree, create a dynamic phantasm of motion,’ Mazur says, including: ‘The sinusoid strains additionally playfully mirror gentle all through the day, at the identical time, the constructing additionally performs with transparency.’ The writer says that the constructing supplies ‘high-quality dwelling situations, guaranteeing intimacy and luxury for its residents whereas not compromising on the aesthetic facet of architecture’ 

BOSJES CHAPEL, WESTERN CAPE, SOUTH AFRICA: London-based architecture firm Steyn Studio is behind this stunning design, which was constructed in 2016. Mazur writes: 'The dramatic landscape with its majestic mountains inspired the stunningly sculptural volume of the Bosjes Chapel, which is located in the midst of a vineyard in a South African valley.' The roof of the chapel is made from a concrete-cast shell. The author notes that the 'spectacular curving roof seems to be floating above the ground, as it is placed on a simple glass construction'. Mazur adds: 'Due to its distinctive shape, colour, and materials, the volume stands out against the extensive landscape and seems to be a structure set in motion'

BOSJES CHAPEL, WESTERN CAPE, SOUTH AFRICA: London-based architecture agency Steyn Studio is behind this beautiful design, which was constructed in 2016. Mazur writes: ‘The dramatic panorama with its majestic mountains impressed the stunningly sculptural quantity of the Bosjes Chapel, which is positioned in the midst of a winery in a South African valley.’ The roof of the chapel is constituted of a concrete-cast shell. The writer notes that the ‘spectacular curving roof appears to be floating above the floor, as it’s positioned on a easy glass development’. Mazur provides: ‘Due to its distinctive form, color, and supplies, the quantity stands out in opposition to the intensive panorama and appears to be a construction set in movement’ 

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RODE HOUSE, CHILOE ISLAND, CHILE: 'Mauricio Pezo and Sofia von Ellrichshausen, famous for their minimalist structures favouring a Brutalist aesthetic, created a powerful house with a strikingly dynamic shape and use of timber.' So writes Mazur of this innovative property, which was built in 2017. The house, which is shaped like a crescent, sits atop a slope and faces out towards the sea. 'The presence of the whole curved case is rather asymmetrical: from one side it stands as a massive and hermetic fortified refuge, from the other it appears as a large pitched roof almost without supporting walls,' the architects tell Mazur. The book notes: 'The interiors take an equally unusual shape with the strikingly curved ceiling that seems to float above the living spaces'

RODE HOUSE, CHILOE ISLAND, CHILE: ‘Mauricio Pezo and Sofia von Ellrichshausen, well-known for his or her minimalist buildings favouring a Brutalist aesthetic, created a strong home with a strikingly dynamic form and use of timber.’ So writes Mazur of this modern property, which was inbuilt 2017. The home, which is formed like a crescent, sits atop a slope and faces out in the direction of the sea. ‘The presence of the complete curved case is moderately asymmetrical: from one facet it stands as a large and airtight fortified refuge, from the different it seems as a big pitched roof virtually with out supporting partitions,’ the architects inform Mazur. The book notes: ‘The interiors take an equally uncommon form with the strikingly curved ceiling that appears to drift above the dwelling areas’ 

CLOUDSCAPE OF HAIKOU, HAIKOU, HAINAN PROVINCE, CHINA: Erected in 2020, the Cloudscape of Haikou features a public-access library, a reading space, a multi-functional audio-visual space, a cafe, restrooms, a nursery room and a roof garden, Mazur reveals. It was designed by Mad Architects and was commissioned as part of a campaign to rejuvenate Haikou's coastline by developing cultural public spaces. 'Sitting on a plot at the very edge of the land, it overlooks the sea,' Mazur writes, adding: 'The architects compare the experience of this sculptural architecture made in concrete to reading a book, as it provides an adventure into the unknown and a gentle escape from everyday reality.' The author describes the design as a 'cave-like shape devoid of straight lines or sharp angles', with circular openings offering natural light

CLOUDSCAPE OF HAIKOU, HAIKOU, HAINAN PROVINCE, CHINA: Erected in 2020, the Cloudscape of Haikou encompasses a public-access library, a studying house, a multi-functional audio-visual house, a restaurant, restrooms, a nursery room and a roof backyard, Mazur reveals. It was designed by Mad Architects and was commissioned as a part of a marketing campaign to rejuvenate Haikou’s shoreline by growing cultural public areas. ‘Sitting on a plot at the very fringe of the land, it overlooks the sea,’ Mazur writes, including: ‘The architects examine the expertise of this sculptural architecture made in concrete to studying a book, because it supplies an journey into the unknown and a delicate escape from on a regular basis actuality.’ The writer describes the design as a ‘cave-like form devoid of straight strains or sharp angles’, with round openings providing pure gentle

STILETTO HOUSE, SINGAPORE: Built in 2019, this remarkable dwelling was designed by Ehka Studio. According to Mazur, the firm was instructed to design 'a “curvy” house with maximum internal space' - and this was the end result. 'Stiletto House celebrates the beauty of free-flowing forms,' she says, adding: 'The floor slabs and sculpted roof make the house extremely dynamic and playful.' The author notes that the 'sensual forms of the floor planes create the impression of floating on air as they are fully enveloped by curved glass walls and balustrades'. She adds that the building - which is made from concrete - blends into the landscape thanks to its fluid shape

STILETTO HOUSE, SINGAPORE: Built in 2019, this outstanding dwelling was designed by Ehka Studio. According to Mazur, the agency was instructed to design ‘a “curvy” home with most inside house’ – and this was the finish consequence. ‘Stiletto House celebrates the great thing about free-flowing kinds,’ she says, including: ‘The flooring slabs and sculpted roof make the home extraordinarily dynamic and playful.’ The writer notes that the ‘sensual types of the flooring planes create the impression of floating on air as they’re totally enveloped by curved glass partitions and balustrades’. She provides that the constructing – which is constituted of concrete – blends into the panorama because of its fluid form 

RAFFLES CITY HANGZHOU, HANGZHOU, CHINA: This spectacular 2017 building was designed by Unstudio, with Mazur describing the 60-storey structure as a 'mixed-use complex of two complementary - not identical - towers placed atop a podium and landscaped plaza'. The building houses residential units, offices, restaurants, numerous leisure facilities, a hotel and a rooftop helipad. Mazur says it's a 'harmonious complex of curvaceous volumes'. The book notes that the building's curved silhouette is a reference to the movement of the city's Qiantang River with a 'wave-like motion becoming more and more expressive towards the top'

RAFFLES CITY HANGZHOU, HANGZHOU, CHINA: This spectacular 2017 constructing was designed by Unstudio, with Mazur describing the 60-storey construction as a ‘mixed-use complicated of two complementary – not similar – towers positioned atop a podium and landscaped plaza’. The constructing homes residential items, places of work, eating places, quite a few leisure amenities, a resort and a rooftop helipad. Mazur says it is a ‘harmonious complicated of curvaceous volumes’. The book notes that the constructing’s curved silhouette is a reference to the motion of the metropolis’s Qiantang River with a ‘wave-like movement turning into an increasing number of expressive in the direction of the high’ 

RACV CAPE SCHANCK RESORT, MELBOURNE, AUSTRALIA: The surrounding coastal landscape informed the design of this resort, which was built in 2019 and designed by Wood Marsh Architecture studio. 'The resort, housing 120 hotel rooms, a gym, luxury day spa, restaurants as well as a golf club, sits within the dune system so it was necessary to minimise its impact on the natural context. Its monolithic curvaceous silhouette is visible from afar, but does not dominate the landscape,' Mazur reveals. The architects tell Mazur: 'The soft, rolling dune-like quality of the topography calls for an architecture that is fluid and sculptural.' They add that 'the cellular grid of the curvaceous upper level is reminiscent of pockmarked sea cliffs'

RACV CAPE SCHANCK RESORT, MELBOURNE, AUSTRALIA: The surrounding coastal panorama knowledgeable the design of this resort, which was inbuilt 2019 and designed by Wood Marsh Architecture studio. ‘The resort, housing 120 resort rooms, a health club, luxurious day spa, eating places in addition to a golf membership, sits inside the dune system so it was essential to minimise its impression on the pure context. Its monolithic curvaceous silhouette is seen from afar, however doesn’t dominate the panorama,’ Mazur reveals. The architects inform Mazur: ‘The delicate, rolling dune-like high quality of the topography requires an architecture that’s fluid and sculptural.’ They add that ‘the mobile grid of the curvaceous higher degree is harking back to pockmarked sea cliffs’

ELLIPTIC HOUSE, LUZ-LAGOS, PORTUGAL: 'The picturesque [coastal] landscape inspired the dynamic volume of this stunning villa,' Mazur writes. It was constructed in 2016, with architectural firm Mario Martins Atelier at the helm. The author reveals: 'The idea behind sinusoid lines of the outer shell was the creation of a fluid experience – without awareness of where the house begins or ends.' The structure, which is painted white, reflects the sunlight and 'stands out against the intensive hues of the sea as well as the sky'

ELLIPTIC HOUSE, LUZ-LAGOS, PORTUGAL: ‘The picturesque [coastal] panorama impressed the dynamic quantity of this beautiful villa,’ Mazur writes. It was constructed in 2016, with architectural agency Mario Martins Atelier at the helm. The writer reveals: ‘The concept behind sinusoid strains of the outer shell was the creation of a fluid expertise – with out consciousness of the place the home begins or ends.’ The construction, which is painted white, displays the daylight and ‘stands out in opposition to the intensive hues of the sea in addition to the sky’

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GJG HOUSE, GHENT, BELGIUM: This 'elegant and minimalist single-family house' was built in 2015 and designed by Blaf Architecten. Mazur reveals: 'The architects’ goal is to find new methods for using brick, which had recently become cladding rather than a structural material, due to new energy performance standards. Gjg House demonstrates how bricks can be effectively re-used and innovatively shaped.' According to the author, the house is set in a wooded spot near a highway. She says: 'The architects decided to shape the curving walls to fit in the space between the trees on the site and not to cut them down to accommodate the structure. Its curvaceous volume visually reduces the rather massive size of the house and allows it to merge smoothly into its green context'

GJG HOUSE, GHENT, BELGIUM: This ‘elegant and minimalist single-family home’ was inbuilt 2015 and designed by Blaf Architecten. Mazur reveals: ‘The architects’ purpose is to seek out new strategies for utilizing brick, which had not too long ago turn into cladding moderately than a structural materials, as a consequence of new vitality efficiency requirements. Gjg House demonstrates how bricks could be successfully re-used and innovatively formed.’ According to the writer, the home is ready in a wooded spot close to a freeway. She says: ‘The architects determined to form the curving partitions to slot in the house between the bushes on the web site and to not minimize them all the way down to accommodate the construction. Its curvaceous quantity visually reduces the moderately large measurement of the home and permits it to merge easily into its inexperienced context’ 

MOAE, HUAMAO MUSEUM OF ART AND EDUCATION, NINGBO, CHINA: Mazur observes: 'While not voluminous, the museum designed by architects Alvaro Siza and Carlos Castanheira offers vast interiors.' The 2020 building leans against a hillside on one side, and on the other, it is suspended above the ground, the author reveals. The architects explain: 'Inside visitors circulate in the enormous void.' It's a 'monolithic volume with undulating elevations, rounded edges and elegant metal cladding', according to Mazur, who adds: 'Like a lizard’s skin, it reflects sunlight over its curves and corrugated aluminium sheeting throughout the day, always changing and never looking quite the same'

MOAE, HUAMAO MUSEUM OF ART AND EDUCATION, NINGBO, CHINA: Mazur observes: ‘While not voluminous, the museum designed by architects Alvaro Siza and Carlos Castanheira gives huge interiors.’ The 2020 constructing leans in opposition to a hillside on one facet, and on the different, it’s suspended above the floor, the writer reveals. The architects clarify: ‘Inside guests flow into in the monumental void.’ It’s a ‘monolithic quantity with undulating elevations, rounded edges and stylish metallic cladding’, in keeping with Mazur, who provides: ‘Like a lizard’s pores and skin, it displays daylight over its curves and corrugated aluminium sheeting all through the day, at all times altering and by no means trying fairly the identical’ 

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